Monday, July 28th from 6 – 9 pm
Jiwon Chung and friends
Theatre of the Oppressed: Internal Oppression
2017 Mission Street near 16th Street BART
Occupy Forum is an opportunity for open and respectful dialogue on all sides of critically important issues!
As we’ve previously experienced, Theater of the Oppressed is a collection of games, techniques and exercises for using theater as a vehicle for personal and social transformation. It uses the dynamized human body and the charged theatrical space as a laboratory for exploring power, transforming oppression, and finding solutions to the fundamental problems of conflict, inequality, injustice and human suffering. Last time we focused on oppression by external power; this time we’ll explore how internal oppression controls us.
Augusto Boal‘s Theater of the Oppressed has spread across the Americas and more than 70 countries worldwide. Theatre of the Oppressed is taught in classrooms and in the streets, bringing together students, scholars, administrators, policy makers, and community activists in the pursuit of social justice and human rights. Its use is particularly timely today given the worldwide attention to the rights of the indigenous peoples represented by the adoption of the United Nations Declaration on the Rights of Indigenous Peoples in 2007.
Jiwon Chung is a professional actor, director, and a key theorist of Theater of the Oppressed. He is the Artistic Director of Kairos Theater Ensemble, Adjunct professor at Starr King School at the Graduate Theological Union, and past President of the national organization for Theater of the Oppressed. Author of numerous books, articles, and performances, he is considered a pioneer in the integration of somatics, theater of the oppressed, and socially engaged art. The focus of his work is in the application of theater as a tool for social and political change, using Theater of the Oppressed to challenge, resist, and transform systemic oppression and structural violence and to redress large scale historical atrocity and injustice. His approach to performance and social change is informed by his background as veteran, martial artist, and 3 decades of Vipassana meditation.
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